Additional Written Materials Cal Arts Experimental Animation Mfa Guidlines

Checklist General Portfolio requirements:

• 1. Synopsis
  2. A one-paragraph biography
  3. Comments on films, books, art, etc.
  4. Project plans
  5. A brief caption (1 page) of why you are interested
  6. Portfolio requirements by major

Fine art Requirements

BFA applicants

Submit examples of personal work, not class assignments. Nosotros want to know what your interests are and how you represent them in your practice. Your piece of work tin can be in any medium; nosotros are interested in a variety of media integrations.

Graphic Design Requirements

BFA applicants

Submit a portfolio of your current piece of work with a minimum of 20 pieces. These should include examples of graphic blueprint, typography, conceptual visualization (drawing equally examples of conceptual thinking) and your level of experience with technology. These examples may range from form assignments and cocky-initiated projects to professional work.

The following project is optional merely highly recommended for applicants who lack examples of graphic design in their admissions portfolio.

Optional Graphic Blueprint Project

STREET Affiche:

BE GREEN STREET Affiche

Demonstrate your abilities in designing a visual message. Co-ordinate to the specifications below create a street poster for the Be Green entrada and include information technology as part of your portfolio for admissions to the CalArts Programme in Graphic Design.

Project Brief

Pattern a 12″ ten 18″ vertical street poster for the Be Dark-green campaign. Your audition is the general public. Imagine that your poster will be displayed at autobus stops and train stations in any big city. The goal of the Be Light-green campaign is to motivate people to adopt a more than eco-friendly lifestyle. Your poster must combine blazon and image to create a powerful, clear, and memorable visual bulletin. You may work digitally or with tradi- tional materials or any combination of both.

Focus on creating an inventive and communicative visual message and a well composed design. On page 3, you will detect a option of historic and contemporary posters by professional and student designers that may be helpful and inspirational. Take FUN!

Your poster must exist 12″x eighteen″, vertical.

Process

Step 1 Choose a topic
:

The Be Greenish campaign consists of v topics.

Choose ONE topic from the listing  and design a poster for that topic.

Step 2 Develop an prototype concept

Brainstorm and conceive of an image that will motivate your audience. Thumbnail sketches are a great fashion to recall visually.

Step 3 Create your image


One time you've decided on your prototype concept, create your image using a medium of your choice: digital, drawing, painting, photography, photo-re-create, collage, mixed-media, etc.

Stride 4 Blueprint your poster


Adjacent, integrate your typographic information with your paradigm to create a dynamic limerick. Your poster must include a title and sub-title from the choices
on page ii. Create your blazon with a medium of your choice: digital, hand-made, collage, etc. Be sure to con- sider style, color, and how they chronicle to your message. Compose your blazon and image elements any mode yous wish. Elements may rotate, overlap or bleed off the edge.

STREET Poster PROJECT TOPICS


Choose Ane and include the championship & sub- title.

• Share Rides

Sharing rides to schoolhouse and work reduces emissions and helps reduce global warming.

TITLE: Be Greenish


SUB-Championship: Share Rides

• Alternative Energy

Electric cars, solar and current of air power are
just few sources of alternative, non-carbon
energy sources.

Championship: Be Green xviii″

SUB-TITLE: Use Culling Energy

• Purchase Local

Purchasing food and other goods from businesses in your area reduces energy and emissions that would otherwise exist used to transport the aforementioned goods to your area.

Championship: Be Green

SUB-Title: Buy Local

• Ride a Bike

Riding a bike to work or schoolhouse reduces emissions, fossil fuel dependency, and pro- motes green living.
Championship: Be Green

SUB-TITLE: Ride a Bicycle

• Change Your Lite Bulbs

Replacing traditional light bulbs with free energy efficient bulbs is an easy way to conserve free energy and assist reduce global warming.

TITLE: Be Green


SUB-Championship: Utilize Free energy Efficient Light Bulbs

EXAMPLES:

Graphic Design Creative person Statement

In your argument, nosotros recommend that y'all specifically address your interest and noesis of graphic pattern as a professional practice. In improver, please describe your design projects and any additional design related experience yous accept. When applying online, this statement should exist submitted with both your online application and your online portfolio.

Experimental Animation Requirements

The Program in Experimental Animation promotes and supports blitheness as a fine art. In making admissions decisions, the programme's faculty considers animation and other visual materials such every bit flip books, paintings, drawings, storyboards and photographs that suggest motion or animation. The faculty recommends submitting portfolios that contain examples of unique, personal expressive art. Submit animated film or video piece of work if at all possible. If you practice not have a picture show or video to nowadays, it is especially important to submit visual artworks that indicate your creative potential. Personal creative visual work that represents your interests is preferred over class assignments.

• Do not submit static art or video art as interactive portfolio
 presentations. However, you may submit piece of work originally designed as interactive art.

• If submitting work that was part of a collaborative project, please describe your role in the process or inception.

Mail 4 copies the following written materials to The Office of Admissions using the Portfolio Mailing Label beneath in addition to uploading them on the online portfolio site:

1. Synopsis:1 or 2 judgement synopsis of each work submitted.
2. A one-paragraph biography with ii-4 stillsfrom your work to exist kept on file.
3. Comments on films, books, art, etc., that y'all experience have influenced your thoughts and work as an artist. It is of import to say why and how these works have influenced you. Avert writing plot summaries.
4. Project plans. Keep in mind that such a plan is meant to give faculty an idea of the type of filmmaking that interests you lot, not an idea of a project y'all volition necessarily produce at CalArts.
5. A brief explanation (1 page) of why you are interested specifically in the Plan in Experimental Blitheness at CalArts.

Postal service 4 collated, labeled copies of all written materials, including the Artist Statement that was submitted with your awarding.

Graphic symbol Animation Requirements

The Character Animation program supports animation that focuses on character development and narrative storytelling. The faculty admissions commission seeks portfolios that bear witness show of stiff, creative life drawing skills, artistic originality, and the potential to tell stories and develop characters using sequential imagery. The faculty welcomes a range of creative work, including drawings and other traditional artwork, 2nd digital art, and 3D computer graphics (CG).

• The Program in Graphic symbol Animation requires a physical sketchbook be submitted past mail.
• Observational drawings and other work should be submitted using our online portfolio submission organization.
• Both the mailed sketchbook and the online submissions are due by the application deadline.
• Students are accepted into this program at the BFA1 level (first-year undergraduate) because of the highly sequential nature of the studies. Students will be expected to be in residence the full four years.

Application Portfolio Requirements:

Role I: Observational Drawings (minimum 15 drawings):

Examples: Drawings of people and animals from life that explore elements like shape, grade, profile, and contrast. These drawings should range from i-minute gestures to longer poses. Indicate easily, feet, and faces.

Drawings of interior environments and outside landscapes that showcase depth, ambiance, and mood.  Practice not erase your construction lines ––they are specially  helpful to the kinesthesia in understanding your approach to observational drawing. Practise not submit traced pictures or copies of work by others.

Part Ii: Sketchbook / Visual Diary (filled or completed sketchbook):

Examples: Sketches from your everyday life. Drawings that illustrate picture show ideas and story concepts. Thumbnails of scenes that you plan to breathing one day.  Random jottings that interest you. Character designs.  Studies of images from films or other sources you similar.

Part III: Other Piece of work:

Include any combination of the following: Sequential paradigm storytelling: Piece of work that showcases your ability to tell a story and develop a grapheme. For example: storyboards,  graphic novels, comics, flipbooks, or short stories with thumbnails. Digital artistic work (animated or still): Creative work that you produce, or dispense, in 1 or more than computer programs. This might take the form of:

                        2D digital art or 3D computer graphics

                        Photographs

                        Paintings

                        Sculptures

                        Installations

                        Murals

                        Character designs

                        Cartoons

                        Caricatures

Submission Format:

Sketchbooks: Mail service to the Function of Admissions at CalArts.

Mailed sketchbooks should include a completed Portfolio Information Form and be mailed using the Portfolio Mailing Label. Exercise not  send your portfolio directly to the School of Film/Video. Doing so will crusade a delay in the review of your piece of work.

The Part of Admissions will return your portfolio to you past mail but if you lot transport a prepaid self-addressed package for return mailing.

Observational drawings and other work (photographs, paintings, large drawings, sculptures, installations, murals, etc.) should be digitally reproduced and uploaded to our online portfolio submissions organization

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